Stop shipping drives between edit and grade
A day of 6K raw is a few hundred gigabytes. Uncut moves it overnight and keeps every room on the same files.
| Name | Kind | Size | Changed |
|---|---|---|---|
| 01_camera_originals/ | 2,310 items | 1.84 TB | Yesterday |
| 02_proxies/ | 2,310 items | 96.0 GB | Yesterday |
| 03_project/Ep04_conform_v12.prproj | Premiere project | 310 MB | Today, 11:42 |
| 04_grade/reel_2_prores4444.mov | QuickTime movie | 96.5 GB | Today, 09:15 |
| 05_sound/stems_reel_2/ | 48 items | 7.2 GB | Monday |
How teams set it up
Originals go up once
The assistant editor drops each shoot day into the share. Uploads resume after a dropped connection, so a 400 GB card can run overnight on an office line.
Each room syncs what it needs
Editors sync proxies and project files. The colourist syncs originals for the reels in progress. Nobody fills a disk with footage they will not open.
Review and delivery by link
Send a cut to the director or masters to a distributor as a link with a password and an expiry date. The download log shows when it was collected.
The finished job stays restorable
Nightly backup keeps 90 days of versions, which covers a project file overwritten on Friday afternoon.
Most post teams start on the Studio plan and add storage per project.